Copperfield's Book Event, April 9

North Bay Friends! A reminder that I will be doing a talk and book signing for the Mom's Cancer Anniversary Edition Thursday night, April 9, 7 p.m. at Copperfield's Books in Santa Rosa, Calif. Copperfield's is a terrific independent bookstore chain, and my event will be at their Montgomery Village shop.

I don't have many personal appearances on the calendar, so take advantage of the rare opportunity! I'll be happy to sign any of my books, or even anyone else's. I'm not too picky or proud.

Copperfield's is asking people to RSVP at this link, although I promise that nobody who shows up without a reservation will be turned away. Hope to see you there, thanks!

Artemis Earthset

Just made this my new monitor background image. I like it more than the better-publicized close-up photo of Artemis's Earthset you're seeing today. I think it provides more scale and perspective, plus from a practical POV it has a lot of neutral gray that makes my desktop icons pop. What a view, what a thrill, what a time to be alive!

By the way, it took me longer than it should have to find a reasonable-quality version of this photo. NASA is sharing all their best stuff at this link.

250 Words on Overwriting

[I try to start my day writing 250 words on anything. I’ll post one every Tuesday until I run out of good ones.]

"I have made this letter longer than usual because I did not have time to make it short.” --Blaise Pascal

I tend to overwrite. I learned that about myself in my first job out of college as a reporter for a small daily newspaper. I also learned to use it to my advantage, and made it part of my writing process. 

For example, when I write a first draft and check my word count, I'm very happy if it comes out 10 to 20 percent long. I know I can tighten it into a nice lean piece that clearly says what it must and nothing else. That's my goal.

On the other hand, if my first draft comes up 10 or 20 percent short, I’m in trouble. Padding is agony.

That’s even more true in comics. I’m a words-first cartoonist, which means I script my story and then draw it. I’ve known pictures-first cartoonists who work out their story as they draw, which to me is voodoo. My scripts look like a theatrical play or screenplay: very lean, mostly dialog with some descriptions, directions and doodles. 

Once I have a script, I go through every line to find opportunities to show instead of tell, deleting any text I can replace with art. My ideal comic is one in which half the meaning is conveyed with words, half with pictures, and neither makes complete sense without the other. 

I don’t always achieve that ideal, but when I do it’s enormously gratifying. 

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Artemis II

I'm utterly absorbed by NASA's live coverage of the Artemis mission today, as the spacecraft takes a long loop around the back side of the Moon. 

I confess I doubted that having the crew take turns looking out the window and describing what they see would have any real scientific value. I couldn't imagine what they'd see that hadn't already been photographed close-up by other missions like Apollo or the Lunar Reconnaissance Orbiter (LRO), which has photographed every inch of the lunar surface. 

But I'm convinced that their perspective is unique and has unique value. LRO sees trees, the astronauts are looking at the forest. And regardless of whatever scientific value their observations have, the feeling of being there with them is priceless. It's riveting.