250 Words on Hummingbirds

[I try to start my day writing 250 words on anything. I’ll post one every Tuesday until I run out of good ones.]

Ask people to name their favorite animal and most will say a charismatic megafauna: elephants, giraffes, whales, dolphins, gorillas, pandas, lions, tigers, bears—the especially attractive animals on zoo billboards. 

Mine is the hummingbird, which is not a magical mythical creature but might as well be.

I can watch them for hours—hovering, divebombing, zipping their long tongues in and out of flowers, pulling G-force maneuvers that would make fighter pilots black out. More than 360 species, all beautiful and fantastic.

Hummingbirds may appear to be gentle iridescent sprites but they’re brave and fierce, with a complex structure of hierarchy and dominance. Our yard always has one boss bird who surveys his domain and decides who enters. If you’re not on the approved guest list, expect to find a needle-sharp feathered bullet shooting toward you at Mach speed. 

At the same time, they can cooperate. We have friends whose home draws literally hundreds of hummingbirds that collectively drain several feeders per day. 

We once had a couple from Ireland visit the neighborhood who couldn’t wait to spot hummingbirds. It was one of the goals of their trip. At first sighting they were confused: they had expected hummingbirds to be larger, and wondered if they'd seen insects. We confirmed their ID and our visitors were delighted by their New World discovery. 

As am I, every time I’m in their presence. It feels like a privilege to encounter them, as if they were fairies from another realm. I’m not convinced they aren’t.

* * * 

PLEASE SUBSCRIBE! I am sharing these little "250 Words On" essays via Substack, which will email a new one to your In Box every Tuesday morning. Just follow this link and enter your email address. It's free, and I promise to never use your address for evil purposes.

I'd Like to Thank the Academy...

The day after my sister's wedding, my family and I took a few hours to visit the Academy Museum of Motion Pictures in L.A. We happened to hit it on a free admission day, but I enjoyed it so much I'd have paid for it! 

In addition to its permanent collection of props, costumes, production equipment and ephemera, the museum had exhibitions on Jaws, Barbie, Cyberpunk, and the films of Bong Joon Ho. Something for everyone! Recommended.

I was stunned to see the Aries 1B lunar lander from "2001: A Space Odyssey," partly because it's from one of my top-five favorite movies but also because I knew director Stanley Kubrick had ordered all the models from the film destroyed so that nobody could make a cheap sequel. I also knew the Aries was one of the few props that escaped that fate but had no idea where it was. And, suddenly, there it was! She's a beauty.

Swatches that defined the color palette for the "Barbie" movie. I love this process stuff.

The red-armed C-3PO from "The Force Awakens."

Iron Man's helmet and, in the background, Captain America's shield and, in the even further background, the back side of Morpheus's costume from "The Matrix."

This one is hard to see, but it's a matte painting from the film "The Running Man" (1997). It's a sheet of glass maybe 3 by 5 feet in size, so you're seeing reflections of museum visitors in addition to a backlit cityscape. Matte paintings were used from the earliest days of filmmaking. In the pre-CGI days, artists painted vast backgrounds on sheets of glass, through which live action was shot or projected onto the scene. One of the most famous is the enormous warehouse at the end of "Raiders the Lost Ark"; only the worker pushing the cart is real, everything else is a painting. I've always been fascinated by the process and never seen one in person. Cool! 

The Hollywood Sign, visible from the upper floors of the Academy museum, just in case you weren't sure where you were.

Congrats to Lis and Randy!

My family and I went to L.A. this weekend to help my little sister get married! It's her story to tell, not mine, but it was fun and beautiful and nearly flawless, at least until Darth Vader showed up and force-choked me. All our love to the bride and groom, my new younger brother.

In a weekend of lifetime memories and highlights, I was especially happy to reconnect with Steve De Jarnatt, a film director who's known Lis for nearly 20 years and me since my book, Whatever Happened to the World of Tomorrow? came out. 

Steve directed the movies "Miracle Mile" and "Cherry 2000" in addition to countless TV episodes, but our connection is the 1939 World's Fair, which I featured in my book and Steve is an avid fan and collector of. After our fire, Steve sent me a care package full of vintage Fair memorabilia and ephemera, which was one of the kindest, most generous things anyone did for me in those days.

Happy Daughters AND Comic Book Day!

I'm reminded that today is both International Daughters Day and International Comic Book Day. I am in the very unusual and nifty position of being able to celebrate both simultaneously, as my daughters have appeared somewhere in every graphic novel I've done (yay, crowd scenes!).

This drawing features me, my wife Karen, and our daughters Laura and Robin. Long-time readers may not recognize this art because it's from an as-yet-unpublished book that I suspect will probably stay that way. Alas. But at least I get to use it for today. 

Happy International Daughters/Comic Book Day, Chiquitas!

250 Words on Artistry Unleashed

[I try to start my day writing 250 words on anything. I’ll post one every Tuesday until I run out of good ones.]

I’m fascinated by artists whose creativity runs amok toward the end of their lives. Not just those who start when they’re old or work steadily until they die, but artists whose motivation seems to suddenly turn to pleasing nobody but themselves. It’s self-indulgence that can be baffling and even off-putting, but it’s also always interesting.

Beethoven was 55 and deaf when he composed his late string quartets, including Die Grosse Fuge (“the Great Fugue”), in 1825 and 1826. He died in 1827. The pieces were discordant and difficult to play. Audiences were bewildered. Critics called them “indecipherable uncorrected horrors” and “a confusion of Babel.” To modern ears they sound like Jazz a century before its time, and are now considered among his greatest masterpieces. 

Charles Schulz was no Beethoven, but I think he had a comparable late Renaissance. His comic strip, “Peanuts,” began in 1950 and became a cultural juggernaut in the 1960s. “Peanuts” was good in the ‘70s and ‘80s, but I think Schulz’s creativity reawakened in the ‘90s until his death in 2000, producing some of his most personal, thoughtful, and formally inventive work.

I’m also reminded of director Francis Ford Coppola’s recent movie “Megalopolis,” which he funded himself when no one else would. Critics’ reactions ranged widely, but all agreed they’d never seen anything like it. 

I think you can get the clearest distillation of a master’s artistry when they have nothing left to prove and don’t much care what anybody else thinks. That’s the pure spirit.

* * * 

PLEASE SUBSCRIBE! I am sharing these little "250 Words On" essays via Substack, which will email a new one to your In Box every Tuesday morning. Just follow this link and enter your email address. It's free, and I promise to never use your address for evil purposes.

Gornpyramide

 I made this.

It's my take on a German Weihnachtspyramide, a candle-powered carousel that is a traditional Christmas decoration in both that country and ours. Except instead of the Christ child in a manger or jolly Santa in the sky, I recreated the classic battle between Captain Kirk and the Gorn from the "Star Trek" episode "Arena" (1967).

Note the carefully observed details, including the Enterprise in orbit overhead, the Gorn's handmade weapons, and Kirk's bamboo cannon, diamond projectiles, and chemicals he found to make gunpowder. Also enjoy the scenic and iconic Vasquez Rocks, the shooting location of many "Star Trek" episodes and countless TV shows and movies, separating the combatants.

My tiny Enterprise, made of dowels and toothpicks.

The reptilian Gorn, with his silver eyes, gold toga, snare net, and obsidian dagger.

Our hero, James T. Kirk, smug in the knowledge that he has everything he needs--bamboo cannon reinforced with native fiber, diamonds, charcoal, sulfur, and potassium nitrate--to defeat the Gorn.

My glorious inspiration.

I don't know how the idea came to me but I've wanted to make it for a long time. Like, for years. Finally decided "Just do it already!" It was a tricky build--you have to optimize for mass, balance, and friction, and I basically had to build it twice to learn from my mistakes and get those right. Even still, it needs enormous vanes to catch enough candle heat to keep moving.

But, to quote Galileo, "It moves."

My wife, Karen, says she's never been prouder, but sometimes she's sarcastic and I can't tell.

I'm just happy in the knowledge I've created something that has never existed before in the history of the universe. Isn't that what Art is all about?

250 Words on Mythology

[I try to start my day writing 250 words on anything. I’ll post one every Tuesday until I run out of good ones.]

Do kids still love mythology?

I remember mythology—Greek, Roman, Norse, Egyptian—being a big deal when I was a kid, but I’m not sure if that was just my particular experience. I loved myths and read every book of them I could. My lodestone was the classic Mythology by Edith Hamilton, which has been in print since 1942. 

Myths illuminate us as much as the people who created them. What we fear, what we value, what we admire. Poseidon was volatile and cruel because the sea could be volatile and cruel; the sun god Ra was also the god of order because nothing mattered more to ancient Egyptians than the constancy of the sun. Gods were arrogant, petty, violent, vain. We know people with those flaws, and it’s easy to imagine the havoc they’d wreak with limitless power.

I loved mythology for its potent combination of superpowers and drama—soap opera on a cosmic scale. I was drawn to Marvel comics because they made the connection explicit: Thor and Hercules were the mythological gods AND superheroes, fighting alongside Captain America and Spider-Man. Marvel might as well have injected narrative nitroglycerine directly into my veins. 

Do young adults raised on Disney’s “Hercules” believe that Zeus was a faithful loving father? Do people accusing others of narcissism know who Narcissus was? Do they know Thursday is Thor’s day? Myths are our linguistic and cultural heritage, as much as Shakespeare or the Bible. I hope they’re still loved and taught these days.

* * * 

PLEASE SUBSCRIBE! I am sharing these little "250 Words On" essays via Substack, which will email a new one to your In Box every Tuesday morning. Just follow this link and enter your email address. It's free, and I promise to never use your address for evil purposes.

250 Words on Being in the Sports Zone

[I try to start my day writing 250 words on anything. I’ll post one every Tuesday until I run out of good ones.]

I have never been a natural athlete—except once.

In seventh grade, age 12, our PE class did a track and field unit. Coaches were scouting for talent. They set up all the equipment, and on that particular day I was the best high jumper in my middle school. Better than boys who were two years older than me. My form was perfect. It felt smooth and effortless. I floated and flew. I was in the zone.

What a tremendously exhilarating feeling!

The coaches urged me to join the track team, so I did.

And never came close to duplicating that spectacular performance again. 

I competed in high jump and long jump for three seasons, and stayed stubbornly mediocre at both. Whatever magic I’d had that day was gone. 

I did notch one triumph I’m proud of. Track meets are scored on a point system. The team that tallies the most first-, second-, and third-place points wins. At one meet, I was warming up to do poorly in the long jump when I noticed an 880-yard race about to begin with only one runner, so I ambled over and checked in. 

My competitor shot off like a caffeinated jaguar, while I plodded out the half mile choking on his cloud of dust. My coaches and teammates did a double-take, then cheered me on! I earned the second-place points for my team! A heroic heads-up play!

To this day, coming in second in a two-person race is my greatest athletic accomplishment. 

* * * 

PLEASE SUBSCRIBE! I am sharing these little "250 Words On" essays via Substack, which will email a new one to your In Box every Tuesday morning. Just follow this link and enter your email address. It's free, and I promise to never use your address for evil purposes.

250 Words on Gray Divorce

[I try to start my day writing 250 words on anything. I’ll post one every Tuesday until I run out of good ones.]

There’s a social trend called “gray divorce,” in which older people who’ve been married for decades split up, to the astonishment of their families and friends. Often the couples seem happy, faithful, settled, comfortable. Why upset the status quo? Why not just run out the clock?

I don’t want a gray divorce but I do think I understand it. As I get older, the idea that I have a finite and shrinking number of days on Earth grows more insistent, and I sometimes ask myself:

“Do I really want to put up with this for the rest of my life?”

“This” could be almost anything: Socializing with people I don’t like. Traveling to places I don’t want to go. Eating food I don’t want to eat. Caring what anyone else thinks. Enduring the hundreds of little obligations we all bear, many of them optional. 

There’s a perception that people lose their inhibitions and get cranky as they age. I don’t think their personalities change; I think they just drop their masks because they don't need them anymore. Sometimes that reveals an angry bigot, but more often, I think, it frees them to be who they want to be, do what they want to do, and fly their freak flags in all their colors. 

I’m no psychologist, but I imagine many gray divorces happen when one person looks at their spouse and thinks, “The obligation I really don’t want to put up with for the rest of my life is you.”

* * * 

PLEASE SUBSCRIBE! I am sharing these little "250 Words On" essays via Substack, which will email a new one to your In Box every Tuesday morning. Just follow this link and enter your email address. It's free, and I promise to never use your address for evil purposes.

BIG ANNOUNCEMENT! Mom's Cancer Anniversary Edition

In 2006, Abrams ComicArts published Mom's Cancer, about my mother's treatment for metastatic cancer. The story had already gotten some notice as a webcomic, for which it won an Eisner Award, and it's been in print ever since. The book has had a life I couldn't have imagined when I wrote and drew it, including being taught in medical schools.

To mark its 20th (!) anniversary, Abrams and I are publishing an updated edition with 32 pages of new material. That includes 22 pages of comics that tell the rest of the story after the events of the 2006 book, plus a new foreword by my friend and Graphic Medicine co-founder MK Czerwiec, as well as an author's note with background, sketches, ephemera, and my perspective on "what it all means." We didn't touch the original story, just expanded it to bring it up to the present.

The first page of new material.

If you're familiar with the original book, the new cover looks subtly different. I painted it with watercolors rather than digitally this time, which I think gives it a tad more life. We added the "Eisner" seal. Notably, the spine will be pink cloth instead of navy blue to differentiate it from the original. It echoes the pink that symbolizes women's cancer and the stripes in Mom's shirt. Also, a few years ago, a Brazilian publisher put out a Portuguese edition of Mom's Cancer that had a neon pink cover, and we all looked at it and thought, "Gee, I wouldn't have done that in a thousand years, but it's kinda cool!" So it's also a nod to that.

The very pink cover of the Portuguese translation from a few years ago.

My editor, Charlie Kochman, and I are very proud of this new edition. It was his idea to do it and I'm grateful. I hope/think this will become the definitive version of the story. In my mind, it gives Mom's Cancer the ending it deserved but never really had. 

The 20th anniversary edition of Mom's Cancer will be out in March 2026. We're actually reviewing printer's proofs now. You can find it at the Abrams website and, soon, wherever books are sold. Please patronize your local heroic independent booksellers!

Big thanks to my friends and readers (not to mention my editor and publisher!) for 20-plus years of support! It means everything. 

250 Words on the Best Spaceships

[I try to start my day writing 250 words on anything. I’ll post one every Tuesday until I run out of good ones.]

Nerd Debate Day! In my opinion, there are three science-fictional spaceships that stand head and shoulders above all others.

Three: The Discovery from 2001: A Space Odyssey, which resembled a column of vertebrae connecting a skull to a pelvis. Its bulky nuclear engine was at the rear, far from the spherical crew compartment, which had a centrifuge to provide gravity. It was an elegant, practical-looking vessel, and director Stanley Kubrick shot it beautifully.

Two: The Eagle ships from Space: 1999 were better-conceived than the TV program they were on. Eagles were adaptable: different specialized modules plugged into a cockpit/engine superstructure to carry cargo, passengers, or scientific instruments. It was a utilitarian, no-nonsense vehicle and a reasonably speculative extension of NASA's lunar module design.

One: Star Trek’s Enterprise was, I contend, the first make-believe spacecraft that really felt like it flew people through space. Earlier ships looked like the sparkler-spewing models they were; one Enterprise contemporary, the Jupiter 2 from Lost in Space, was an unconvincing pie pan with lights and legs. The Enterprise had it all: scale, grace, dynamism.  

One quality my favorite spaceships share is verisimilitude. They feel plausible. Kubrick was a stickler for scientific accuracy. The Eagle’s modularity was elegantly engineered. Enterprise designer Matt Jeffries applied principles of real-world aeronautical design.

There are many other contenders: the Millennium Falcon, Firefly’s Serenity, Battlestar Galactica, Nostromo, Dark Star. I think much of what makes a spaceship great is the emotion we attach to it. Love the show, love the ship.

* * * 

PLEASE SUBSCRIBE! I am sharing these little "250 Words On" essays via Substack, which will email a new one to your In Box every Tuesday morning. Just follow this link and enter your email address. It's free, and I promise to never use your address for evil purposes.

Conjunction Junction

Karen wakes before I do and has standing orders to roust me out of bed if she sees anything interesting in the pre-dawn sky. Today was one of those days. If you rise before the Sun you may have seen it, too, but I can still shed some light (heh!) on a few details.

My iPhone picture isn't great but it's sufficient. Photo on the left, annotations on the right. The spectacular trio that really dazzles is the Moon, Jupiter, and Venus. Their conjunction is happening in the constellation Gemini, headlined by the stars named for the mythological twins Castor and Pollux. 

What you may not have noticed, and is faint in my photo, is the planet Mercury peeking over the horizon. It is said that the great astronomer Copernicus never saw Mercury. I doubt that's true--Mercury isn't that difficult to see--unless he wasn't such a great astronomer after all or just never bothered to look for it.

The scene will look much like this tomorrow except the Moon will have moved closer to the Sun, down near where Mercury was this morning. If you're an early riser, enjoy the show!

250 Words on Living Lighter

[I try to start my day writing 250 words on anything. I’ll post one every Tuesday until I run out of good ones.]

One consequence of the wildfire that destroyed our home in 2017 is that Karen and I are living lighter.

Possessions don’t carry the same emotional weight they used to, partly because very few of ours are more than eight years old. We did save some things when we evacuated, and were given some family artifacts afterward, and those are priceless. The rest of it? Whatever.

When we rebuilt our home, we had to think about how to fill it. For example, I used to have thousands of books and a good comic book collection. Should I reassemble that library? Mostly, I decided not to. I repurchased a few books that I considered essential, but otherwise resolved to start fresh. The fun part of acquiring my old books had been the thrill of discovery and the hunt. Even if I could afford to reacquire them, the fun would be gone. 

And now my bookshelves are packed with new books. 

We have a shelf full of mugs in our kitchen. Whenever we get a new mug, an old one has to leave the house to make room for it. Do I like this prospective mug better than an old one? If not, no sale. 

For nearly everything we buy, we ask ourselves, “Do we really want it? What are we going to do with it? Where are we going to put it?” We don’t live like monks—we still have plenty of junk—but it’s mostly gathered with thoughtful intention. It’s good. 

* * * 

PLEASE SUBSCRIBE! I am sharing these little "250 Words On" essays via Substack, which will email a new one to your In Box every Tuesday morning. Just follow this link and enter your email address. It's free, and I promise to never use your address for evil purposes.