I'm getting some new traffic from a post on TV and comics writer Mark Evanier's extremely popular blog.
Mark, whom I've met a few times and share an editor/publisher with but don't really know, recently wrote a post about the practical importance of getting paid for one's creative work. In that post, he suggested that underemployed artists get a job in a related field that uses the same skills, and used the example of a screenwriter working as a tech writer.
In a follow-up post, a tech writer friend of Mark's replied that his job required a completely different skill set that not just anybody could stumble into and master. He sounded a bit insulted that tech writing might be seen as slumming for screenwriters.
I sent Mark a note, which he posted today, that I thought acknowledged both points:
Just writing to lend you some support on the idea that any writing is good writing. I started my working life as a newspaper reporter, put in more than 15 years as a science writer, and have produced a couple of graphic novels and webcomics. I find a lot of overlap.
Writing almost anything every day gives you a facility and confidence with language that you wouldn't gain otherwise. You learn what works and what doesn't, how to prod a reaction from a reader, and the incredible importance of clarity. One of the most valuable writing jobs I had was also one of the worst writing jobs I had: covering a season of high school basketball for a local newspaper. Since every high school basketball game is pretty much like any other, by the 15th or 20th I was really working hard to make my stories interesting for both me and my readers. It was a great exercise.
Even a "just the facts" news article or scientific paper needs to be structured and crafted to make its point effectively. I really look at everything I write as a form of journalism. The only difference is that when I'm writing fiction, I'm reporting on events and characters that don't actually exist. But it feels like the same process in my brain.
Writers need to write, and should write however they can.
Mark then added:
Yeah, I'm a big believer in the philosophy, "You want to be a writer? Then write something." Over the years, I haven't had a lot of patience with people who ask if I can help them get a writing job…and when they get the job is when they intend to start writing. Writers need to be wary of writing for free or for bad pay…but there's nothing wrong with writing for yourself for free. In fact, you need to do that so you don't limit your writing to just what people are willing to pay you for at the moment. Or so you're still writing when they don't.
I wish I'd added one clause to my e-mail: "Writing almost anything every day, especially on deadline and for pay, gives you a facility and confidence with language that you wouldn't gain otherwise." I don't know if writers sitting in their garrets (why is it always a garret?) agonizing over the Great American Novel year after year are doing themselves any good.
"Step One: Write" is indeed the most important step, and one that surprisingly many "writers" never quite get around to. However, I think "Step Two: Get It Out" is just as important. Nobody learns anything from a manuscript in a drawer. Writers need readers. Even if it's just a post on a blog.