Although A Fire Story won't be released until March 2019, many reviewers have received rough-draft galleys (black and white, with incomplete artwork and edits) and are starting to weigh in. So far, it augurs well.
Waiting for a book to be published is unnerving. My work is done, it's out of my hands and committed to print. Nothing more I can do. It's like standing backstage waiting for the curtain to rise on opening night--for four months.
Jittery, you look for signs. What are people saying? How are pre-orders going? Uncertainty gives early reviews a lot more weight than they might otherwise have. A bad one could be devastating; a good one electrifying.
It looks good so far.
My book's first review was a starred review from Kirkus, which is kind of a big deal. "Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck." Kirkus is very influential in the book trade and the "star" is a real plus.
Publishers Weekly lists "A Fire Story" as one of its Top Ten Comics & Graphic Novels of next spring. This isn't a full review, but PW's Calvin Reid had been a real supporter of my past work and his opinion means a lot to both me and people in the industry.
At Study Breaks, Sarah Brown listed the six "Most Anticipated Graphic Novels of 2019." One of them is mine. It's in good company, including books by the Hernandez Brothers and George Takei.
And back in October, my friend Paul Gravett, the UK's leading comics critic and scholar, highlighted A Fire Story in an article for The Bookseller magazine, calling it "urgent first-person journalism, encompassing the wider stories of fellow survivors and global climate change."
Steady as she goes . . .