Occasionally I’m asked to critique someone’s writing or cartooning, and give them advice on how to build a career.
I’ve learned to be wary.
First, nine out of ten people who ask my opinion don’t really want it. They want to be told their work is fantastic and they don’t need to change a jot. So the first thing I try to figure out is whether I’m talking to one of those folks, or to the one out of ten who genuinely wants feedback and is professional enough to take it.
Sometimes people want to know “the secret”: the password, the trick, the right person to approach with the right pitch. Once in a while, they’ll even ask me to do it for them—make the connection, grease the wheels, get them in the door to make a deal.
Of course the real secret is that there isn’t one, and I don’t have the influence they think I do. Even if I wanted to, there is nobody I can call who would offer them the “Standard Rich and Famous Contract” that Orson Welles gave Kermit the Frog.
Every successful creative person I know has a different story about how they made it. Their way probably won’t work for you. Sit down, do the work, and put it out into the world however you can. If anyone likes something you did, do more of that. Get rejected. Get experience. Get better. Get noticed. Get paid.
That’s the only secret I know.
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