Thompson comes at it from an interesting perspective, that of a self-described Prose Guy earnestly trying to figure out what the fuss is all about. He avoids most of the easy journalistic cliches such as "Gee, comics aren't just for kids anymore!"--Thompson already knew that--and comes to appreciate the skill and talent involved in the best graphic novels while still feeling that they maybe aren't quite his cup of tea. I thought it was a unique and honest approach.
The long article starts here; you may have to register (free) on the Washington Post website to enter, although I was able to access it directly. And don't miss the best part, a three-page comic written by Thompson and drawn by Jonathan Bennett illustrating the article's highlights. Here's a sample panel:
Once in a while I do a convention panel or am asked a question about The Rise of the Graphic Novel. The problem is, my perspective is so narrow and the field so large that it's hard to grasp it and really come up with something insightful to say. I think that's true for most writers and artists: they know their little corner of the universe but don't or can't focus on the big picture. As one Prose Guy's attempt to figure it out, I think this article is a very interesting, informative, and worthwhile read..