Tuesday, October 27, 2026

250 Words on Flying Blind


[I try to start my day writing 250 words on anything. I’ll post one every Tuesday until I run out of good ones.]

I’ve noticed more and more airline passengers taking entire flights with their window blinds closed. I don’t get it.

You’re sitting in a chair inside a metal tube hurtling through the sky, watching the ground pass miles beneath your feet, surfing the wind through towering atolls of clouds! It’s the closest you’ll get to being Superman! An eternal dream of humankind! A scientific miracle!*

Now, it seems that if any sunlight disturbs someone’s nap or reflects off their phone’s tiny screen while they’re watching a movie or playing a game, they pull down their shade.

How could anybody get so bored and jaded? I never take flying for granted.

Back when I was a newspaper reporter, the U.S. Air Force hosted a junket for press to fly across the country and back in a KC-135 Stratotanker. I forget why; I think they were trying to rally public support to save airbases that were slated to close. KC-135s are flying gas stations that refuel fighter jets using a winged boom that hangs from the back of the aircraft—a steerable gas pump nozzle. Operators guided the boom lying on their stomachs while looking through a window in the belly of the plane.

USAF photo.

As we flew toward the West Coast at sunset, my photographer Randy and I stretched out in the boom operator’s cold cubbyhole, nothing but glass between us and the Southwestern desert mesas and canyons painting long shadows across the orange earth directly below. 

We were flying. It was magical.
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*I do know comedian Louis C.K.’s routine about how blasé everyone has become about flying, but didn’t care to quote or link to it. I’m just noting that here to forestall everyone from pointing it out!

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Thursday, October 22, 2026

Call 'Em Like Museum Podcast with Laura Fies

Proud Dad Warning. Here's a 48-minute podcast/interview with my daughter Laura in her role as the CEO of the USS Hornet Museum in Alameda, Calif. The "Call 'Em Like Museum" podcast looks to be a newish weekly show devoted to the challenges of running all sorts of museums, and this week host Eric Johnson looked at the Hornet. 


As I told Laura after watching it, I was very impressed by how informative, composed and articulate she was for nearly an hour. Having sat through similar interviews myself, I know my brain turns to porridge after 20 minutes or so. I also thought Johnson was a good host who asked smart questions and listened to her answers (surprisingly rare). 

As a parent, this was one of many times I've been reminded that my kids are full-grown independent adult professionals who have knowledge and experience I know nothing about. That's the goal, right?

Tuesday, October 20, 2026

250 Words on Storytelling


[I try to start my day writing 250 words on anything. I’ll post one every Tuesday until I run out of good ones.]

It took me an embarrassingly long time to understand the importance of storytelling. I may have been in my 30s before I got a handle on it. 

Storytelling is hard to define; start with what it’s not. 

In comics, storytelling isn’t just a matter of combining nice words with pretty pictures. Many people can create wonderful words and pictures but have no idea how to tell a story. On the other hand, a great storyteller can make you laugh or cry using simple dialog and stick figures. 

Which isn’t to say that craft doesn’t matter. A cartoonist skilled at writing and drawing has more tools in their toolbox: broader options, better techniques, a larger library of inspirations. All things being equal, I’d still encourage artists to master their disciplines. But it’s a mistake to overlook stories just because they appear simple or crude. 

I’m pretty sure that stories are how humans understand the universe. Narratives, metaphors, analogies, histories, myths, songs. Even a physics equation tells a story about a worldview in which science describes how reality works.

Every decision I make when creating a comic centers on storytelling. I use composition, design, rhythm, character, color, and the other tools in my toolbox to guide your attention and emotions through the story I’m trying to tell. If I do it right, you’ll never notice.

Whenever I review a young cartoonist’s work, I’m not primarily judging how well they write or draw. I want to see if they can tell a story.

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Wednesday, October 14, 2026

Reflections on Victor Glover


A few days ago, I wrote about getting to see Artemis 2 astronauts Victor Glover, Christina Koch, and Reid Wiseman at a private event aboard the USS Hornet Sea, Air and Space Museum. Because the event felt "off the record," I didn't report on the occasion or their remarks in any detail. 

But Glover said something that stuck with me. He spoke about the profound beauty of watching the Sun eclipsed by the Moon as their spacecraft looped around it, then the wonderment of still being able to see lunar craters, maria and mountains gliding past, lit only by the very dim blue glow of Earthshine--sunlight reflected off the Earth back onto the Moon. You can see Earthshine yourself when the Moon is, say, a crescent, and its shadowed features are faintly visible.  

As dazzling as the view was, Glover realized that it wasn't unique or special in any way. It was a show the universe has put on for billions of years. Routine. Commonplace. The difference was that this time, for a few brief minutes, there were humans in the right place to see it. THAT'S what was unique and special: our presence.  

I've read and seen a lot of interviews with astronauts but never heard one make that particular point, and I'm not sure if it's deeply profound or simplistically obvious. The fact that I'm still mulling it four days later suggests the former to me.

The universe is putting on a spectacular show all the time--not just in the cosmos but in the oceans, in the skies, in the dirt beneath our feet. Maybe our highest calling in life is to stay open to wonder and notice it.


Tuesday, October 13, 2026

250 Words on a Collector's Duty


[I try to start my day writing 250 words on anything. I’ll post one every Tuesday until I run out of good ones.]

I once had a collection of several hundred comic books—including a complete run of The Avengers—and had begun to think about what to do with them so my kids wouldn’t have to.

I touched base with a reputable comic-book broker who told me my collection had maybe a dozen “key” issues that were worth a lot of money and scores more that weren’t. Only another collector or expert would know the difference. Of course, even the unimportant issues retail for much more than he said he could offer me. Then they all burned. 

My father-in-law collected coins. We urged him to compile an inventory of them, or even just show us his most valuable pieces. He replied that it would be our problem to figure out after he died. It was. While I think we found an ethical coin shop that gave us a fair price for his collection, we weren’t numismatists so we’ll never know. We did our best.

I have a decent little collection of original comic art, some from cartoonist friends and others by historically notable cartoonists. I’ve made a list of them all, documenting what I paid for them (if they weren’t a gift or trade), estimating what they're worth and, for the few really good ones, suggesting how my heirs could auction or donate them.

I believe that’s the very least a collector owes to those they leave behind. Or sell your collection yourself and give them the cash. They’d probably appreciate that.

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Monday, October 12, 2026

Commemoration and Celebration

A busy, reflective, celebratory weekend.

Friday was the ninth anniversary of the Tubbs Fire, which destroyed my home and about 5,000 others, so we had some feelings about that. At the same time, on Saturday, Karen and I helped open a new park in our neighborhood that was the culmination of years of hard work. The two events are related.

A look at part of the park, which I shot from atop the highest piece of playground equipment. It's a really nice playground, with a lot of natural wood, and metal painted in primary colors. It was paid for by an organization called the Saba Foundation and supplied by Park Pacific and Columbia Cascade; they all consider it a model that they can point to as an example of their best work.

A look the opposite direction at the rest of the park. It's hard to see what's going on, but the tan umbrellas toward the center rear are shading six picnic tables. The dirt patch at center that most of the people are standing on will soon be grass, and a concrete pad for the future gazebo is off-camera to the right. The white canopy shades one of four tables set up for a silent auction, which offered 22 donated items (including a signed copy of my graphic novel "A Fire Story") to help raise funds for the park. Our daughters Robin and Laura came to help run the silent auction, as did my sister-in-law Cathy and brother-in-law Marc. All in the family! 

The park's origin story: before the fire, it was a preschool on an acre of land. After the fire, its owners relocated the preschool, put the land up for sale, and got an offer from a developer who wanted to fill the acre with a massive apartment complex. Karen helped form a nonprofit organization with the goal of turning it into a park instead, and the land's owners said they'd be happy to sell it to them if they could match the developer's price.

Years of work followed. Karen was instrumental in raising funds and negotiating agreements. You would not believe how hard and expensive it is to build a park. You think, "What's the problem? Just roll out some turf, throw up a playground, and BOOM! Instant Park!" Not even close. Permits, soil engineers, water engineers, utilities, contractors, subcontractors, inspectors (did you know there are professional playground inspectors?). It would have been easier and faster to build the apartments. Every step was a struggle for a scrappy nonprofit that was basically just eight or nine motivated volunteers, none of whom had built a park before. 

The nonprofit board introducing themselves and giving thanks and credit where it was due. The park project wouldn't have been possible without a ton of people and businesses that provided material and services for free or at cost. That bare dirt underfoot will be covered in a woody mulch (also donated by a local business) very soon. 

Saturday, the park opened. It's not done yet--it still needs a lawn and a lot of landscaping, plus there's a longer-term goal of building a gazebo that'll take money we don't yet have--but it's safe and fun. We threw a big fundraising gala with speechifying dignitaries and a fundraising auction. The preparation and work that went into the event itself was enormous. Exhausting. Sleep-depriving.

And it was a huge success! The weather was perfect. We figure a couple hundred people came, and the auction raised way more money than anyone expected, greatly due to the auctioneering skills of our special guest, California Senator Mike McGuire. Best of all, the park actually had kids playing in it! 

Karen, state Sen. Mike McGuire, and county Supervisor James Gore. Karen knows them well; before McGuire was elected to state office, he was a county supervisor like Gore, and Karen worked with them both for years. 

Sen. McGuire was a champion running the live auction part of the program. Part of the action included auctioning off very fancy cakes; we had three of them. The goal is to get some competition going and sell the cake for a ridiculously high amount--say, $1000. The obvious joke is, "Man, that must be some cake!" but in practice it's an excuse for someone who was disposed to donate $1000 anyway to take home a nice cake for their troubles. A firefighter is modeling one of the cakes while Karen stands ready to call out bidders in the background. 

After years of being a weedy dirt field as silent as a tomb, the acre was alive again, with the squealing, boundless energy of children. That hit unexpectedly hard.

After our early afternoon festivities ended, we dashed over to a fire remembrance organized by county Supervisor James Gore, who had also helped inaugurate the park. That was a more sober affair, although Gore also wanted it to be fun and handed out many certificates whose gag titles belied real accomplishments (Karen got one labeling her the "Red Tape Ninja"). It wasn't a large crowd but almost everyone in it had lost something to the fire, and it was good to be together. 

After the park event, the fire remembrance was a chance to highlight and thank people who did critical work in those days. The emergent theme was the importance of community. Karen was one of the speakers, and she's up front next to the red-shirted James Gore. If you haven't picked up on it yet, I think my wife is a real hero and I'm proud to be associated with her. 

Karen and I were both interviewed about our perspectives on the fire nine years later. Mine came down to this: when a disaster like that hits you, your old life is over and your new life begins. For a long time, every day of your new life is horrible. But eventually, you start to accumulate enough happy moments and good memories so that, after nine years, you can look back and honestly say your new life is good. That doesn't mean you stop mourning the loss of your old life or that the disaster was somehow "all for the best" (I hate that platitude), but we're fine and that's pretty great.

If you'd like to help our scrappy little park pay for a gazebo and other beautiful things, here's a QR code that'll make it easy for you! Everything goes right to the park, nobody's making a dime. 


Saturday, October 10, 2026

Lunanauts

Astronaut Reid Wiseman, Volunteer Tour Guide Brian Fies, and Astronaut Victor Glover. One of these things is not like the other. I actually had a few moments for a brief but nice conversation with Wiseman. Cool dude. Photo by my daughter Robin.

A while ago, my daughter Laura told me that Artemis 2 astronaut Victor Glover was scheduled to speak at a private after-hours event aboard her museum ship, the USS Hornet. "Oh, that's nice," I thought. A while later she said, "I think the entire Artemis crew will be there, and you should be too." "I wish I could," I replied in the imaginary conversation I made up for this post, "but I couldn't crash a private event." "You could if you were Hornet staff working it,” she replied. 

So Friday night I volunteered to give tours of the Hornet's Mobile Quarantine Facility (MQF), which was an Airstream trailer modified to quarantine the crews of early Moonlanding missions after their returns to Earth, a subject I actually know a bit about. The Hornet has Apollo 14's MQF. It isn't normally open to the public and we hoped to lure an astronaut inside. Alas, we did not. However, I did have the honor of giving a tour to NASA Lead Flight Director Zeb Scoville, who seemed to appreciate it. 

Welcome to the MQF! Want to tour my custom 1969 Airstream?

A shot of me giving a tour through the window of the MQF. On the Apollo 11 mission, that's the same window through which President Richard Nixon spoke with Armstrong, Aldrin and Collins.

The private event was a "Roll Call," a traditional fighter pilot occasion to reunite, swap stories, give toasts and, in this case, celebrate Glover's recent retirement. Fellow Artemis crewmembers Reid Wiseman and Christina Koch were there; Canadian Jeremy Hansen planned to come but couldn't. All spoke but, given that the event was private, I won't quote them. They're all smart, funny and inspirational. Of course.

It was an extraordinary gathering of extraordinary people, three of whom just flew around the Moon, and I was thrilled to be a fly on the wall. Happy to volunteer anytime! 

Kock, Glover and Wiseman celebrating Glover's career. It was a big night for him. His mother, wife and daughters were all there to witness it.

Tuesday, October 6, 2026

250 Words on Before and After


[I try to start my day writing 250 words on anything. I’ll post one every Tuesday until I run out of good ones.]

Some experiences are so momentous they divide your life into “before” and “after.” Everything changes in an instant. Your old life is gone and a new, uncertain life awaits. Whether good or bad, they transform you forever.

I’ve had two: one very good, one very bad.

My daughters’ birth was a leap into a new and better world. I barely remember what my “before” life was like. How did we fill our time? I couldn’t believe the hospital just let us take home babies without a license or instructions. How anyone feels ready for that obligation befuddles me, but we thought we were and it turned out we were right. Becoming “Dad” was a responsibility I relished and the achievement I’m proudest of.

The firestorm that destroyed our home in 2017* was a leap into a different, darker world. My wife, Karen, and I still sort events into “B.F.” or “A.F.”: Before Fire or After Fire. Its legacy is PTSD and loss, seasoned with a pinch of resilience and grit from surviving. It’s a shadow that never strays far from our minds. 

I’ve had other significant life deflections, including marriage, career changes and the deaths of family members, but they didn’t rearrange my brain the way parenthood and the fire did. Those made me a different person.

Sometimes, willingly or not, you cross a threshold from one world into another, and there’s no going back. All you can do is press on and create the best new world you can. 

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* It's hard to believe that disaster was nine years ago this week. Sometimes it seems like a lifetime ago, other times it seems like last month. 

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